มรดกวัฒนธรรมที่จับต้องได้

Tangible Cultural Heritage

1. According to the Cabinet Resolution dated 27 April 2021, the Uthai Thani Old Town area was officially designated as a cultural heritage site that reflects the inherited prosperity and the nation’s great artistic and cultural legacy. The designated area covers a total of 1.69 square kilometres.

2. The Deputy Prime Minister, in his capacity as Chairperson of the Committee for the Conservation and Development of Rattanakosin and Old Towns, signed an order on 23 September 2022 appointing the Subcommittee on the Conservation and Development of Uthai Thani Old Town. The Subcommittee is entrusted with the authority and responsibilities to: formulate guidelines, measures, and a master plan for the conservation and development of the Uthai Thani Old Town area; develop action plans and relevant regulations for implementation; provide consultation and opinions on construction projects proposed by government agencies, state enterprises, and other public entities within the old town area; coordinate, monitor, inspect, and supervise operations to ensure compliance with established policies, plans, and projects; and support budget allocation to responsible agencies for the implementation of the conservation and development master plan and action plans.

3. Uthai Thani Province issued Order No. 459/2026 on the appointment of the Committee for the Project to Enhance the Local History and Cultural Museum of Uthai Thani Province. The Governor of Uthai Thani serves as Chairperson, with the Mayor of Uthai Thani Municipality as a committee member. The committee aims to drive the development of the museum to function effectively as a “public learning center,” “hub of local wisdom,” and “a driver of the province’s soft power.” The initiative is intended to support lifelong learning for present and future generations in an efficient and sustainable manner.

4. Uthai Thani Province issued Order No. 3045/2025 appointing a working group for the exhibition of antiquities and art objects at Wat Uposatharam (Wat Bot). The initiative focuses on displaying antiquities and art objects at the Uthai Buddhist Assembly Hall within Wat Uposatharam. The objective is to enhance the site's tourism potential in a sustainable manner, accommodate both residents and visitors, and provide a venue for religious activities and public tourism. Working Group on Antiquities and Art Exhibition at Wat Bot.pdf

5. The preparation of the Action Plan for the Conservation and Development of Uthai Thani Old Town has been carried out through a participatory process that encourages stakeholder engagement. • Activity 1 : Enhancing knowledge, understanding, and capacity-building among personnel, as well as facilitating experience-sharing in old town conservation and development. Public forums are organized to encourage community participation, allowing stakeholders to provide suggestions, express opinions, and exchange perspectives on old town management that benefits both project implementation and local communities. • Activity 2 : Development of the Uthai Thani Old Town Cultural Heritage Map , involving research, survey, analysis, and evaluation of cultural and natural heritage values. The map incorporates comprehensive information on historical background, urban development, architectural characteristics, monuments, artistic sites, natural environments, green spaces, and both tangible and intangible cultural heritage. It also addresses authenticity, threats, current conditions, and conservation and development approaches. Architectural typologies are classified, and a database of significant buildings and sites is created in shapefile format for integration into a Geographic Information System (GIS) . Participatory activities are conducted to gather feedback on the draft heritage map, followed by publication of the finalized map. • Activity 3: Formulation of the Action Plan for conservation and development by applying environmental and urban management concepts. This includes sustainable urban environmental management, natural resource management strategies, environmental policy and planning, and implementation in accordance with legal mandates.

1. Components of the Old Town Natural Components: The landscape of Uthai Thani Old Town is characterized by diverse natural features. To the west, Sakae Krang Mountain serves as a prominent scenic backdrop and a key visual landmark of the city. To the east lies the Sakae Krang River, which has long functioned as the lifeline of the community, sustaining local livelihoods and ways of life. The river plays a crucial role in agriculture and serves as an important freshwater fishing source for local communities. Key natural elements of Uthai Thani Old Town include the Sakae Krang River, Sakae Krang Mountain, Nong Ta Ngu, Tha Pho Canal, and Ko Thepho Island, among others. Photographic Illustrations of the Natural Features and Landscape of Uthai Thani Old Town These images illustrate the natural components and landscape of Uthai Thani Old Town, highlighting key features such as the Sakae Krang River, Sakae Krang Mountain, and surrounding ecological environments that contribute to the city’s distinctive character and identity Cultural Components: The Uthai Thani Old Town area represents a historically established settlement dating back to the reign of King Rama III (King Nangklao), when it was known as “Ban Sakae Krang.” The area was rich in natural resources and highly suitable for transportation, agriculture, and freshwater fisheries. During the reign of King Rama V (King Chulalongkorn), historical evidence—particularly royal photographs taken in 1897 (B.E. 2440)—depicts the environmental and settlement characteristics of Uthai Thani Old Town. These images show clusters of wooden raft houses along the Sakae Krang River in front of Wat Uposatharam, constructed with natural roofing materials. The settlement pattern clearly illustrates an integrated transportation system connecting both water-based and land-based routes. As a result, Uthai Thani Old Town has historically functioned as a dual settlement system, comprising both water-based communities and land-based communities, a characteristic that continues into the present day. Following a major fire in 1935 (B.E. 2478), most of the wooden row houses were destroyed. Subsequently, urban planning initiatives were implemented, leading to the construction of row buildings (shophouses) to replace the damaged wooden structures. Roads were developed to connect piers and river routes, facilitating the transportation of goods and travel between Uthai Thani and Bangkok. By 1957 (B.E. 2500), the construction of a large dam and watergate significantly impacted the Sakae Krang River. As a result, transportation patterns gradually shifted from water-based systems to predominantly land-based transportation. Map Illustrating the Natural and Cultural Components within Uthai Thani Old Town and Its Buffer Zone. This map illustrates the distribution of natural and cultural components within Uthai Thani Old Town and its surrounding buffer zone, highlighting key features such as rivers, mountains, historic sites, traditional settlements, and significant cultural landmarks that contribute to the area’s heritage value. Map Illustrating Significant Districts within Uthai Thani Old Town This map highlights the key districts within Uthai Thani Old Town, illustrating areas of historical, cultural, and economic significance that contribute to the identity and heritage value of the city.

2. Architectural Styles and Development of Buildings and Structures in the Old Town Area Thai Architecture: Thai architecture within Uthai Thani Old Town reflects local wisdom and cultural identity, expressed through refined architectural forms and intricate design elements. Each temple in the area possesses distinctive characteristics that represent different periods of Thai architectural styles, adapted in response to the community context and the historical development of the area. Significant examples of traditional Thai architectural forms in Uthai Thani Old Town include the octagonal mondop of Wat Uposatharam and the Uthai Buddhist Assembly Hall (Uthai Phuttha Sapha Hall), both of which exemplify the aesthetic and cultural values embedded in Thai architectural heritage. Chinese Architecture: Chinese architecture within Uthai Thani Old Town represents a fusion of traditional Chinese artistic elements and local architectural practices. This architectural style holds significant cultural and historical value, reflecting the heritage of Chinese communities who migrated and settled in the Uthai Thani area. Buildings and structures that embody Chinese architectural influence are predominantly found in the form of shrines and temples established by the Chinese community. These structures serve not only as religious centers but also as important cultural landmarks that preserve traditions, beliefs, and community identity. Notable examples of Chinese shrines in the area include the Pun Tao Kong City Pillar Shrine, the Guan Yu Shrine, and the Tubtim Goddess Shrine, each of which reflects distinctive architectural features and spiritual significance rooted in Chinese cultural traditions. Wooden Buildings: Wooden buildings within Uthai Thani Old Town consist of both individual wooden houses and clusters of wooden structures commonly known as “wooden row houses.” These buildings represent a distinctive architectural characteristic of the old town. The wooden row houses, in particular, reflect traditional construction techniques, the use of locally available materials, and the adaptation of architectural design to the riverside environment and community way of life. They also illustrate the historical pattern of settlement and commercial activity that has shaped the identity of Uthai Thani Old Town. Photographic Documentation of Wooden Buildings in Uthai Thani Old Town Half-Timber and Masonry Buildings: Buildings in Uthai Thani Old Town that combine masonry and timber construction exhibit distinctive architectural characteristics. These structures typically feature load-bearing brick walls or reinforced concrete frameworks, integrated with timber structural elements as a significant component of the building system. This hybrid construction reflects a transitional architectural style, illustrating the adaptation of traditional wooden building techniques to more durable modern materials, while still preserving aspects of local identity and craftsmanship. 20th-Century Architectural Buildings in Uthai Thani Old Town were constructed during a period influenced by modern architectural movements from the Western world. This era was marked by significant changes in construction technology and building materials, leading to new architectural forms and design approaches. The modern architectural period, spanning approximately from the 1930s to the 1980s, introduced features such as simplified forms, functional design, and the use of materials like reinforced concrete, reflecting a shift from traditional styles to more contemporary expressions. Floating House Architecture: Floating house architecture in Uthai Thani Old Town is characterized by its simplicity and the use of locally available natural materials. In the past, roofs were typically thatched with nipa palm leaves or covered with corrugated metal sheets, designed with gentle slopes to facilitate rainwater drainage and kept relatively low in height to reduce wind resistance, unlike traditional elevated Thai houses. The structure of floating houses is slightly raised above the water level to accommodate fluctuations in river conditions. Interior spaces are generally organized into functional areas, including sleeping quarters, living spaces, and kitchen areas. At the front of the house, an open deck or platform serves as a transitional space for boarding boats and supports various daily activities such as washing, household chores, and relaxation. These architectural characteristics reflect a way of life closely connected to the river, emphasizing adaptability, practicality, and the efficient use of natural resources.

3. Distinctive Characteristics of Artistic Heritage Art found in Uthai Thani Old Town can be broadly categorized into two major groups: mural paintings and sculptural works, each reflecting the cultural and religious significance of the area. Mural Paintings: Uthai Thani Old Town features a rich collection of religious mural paintings, particularly those associated with Buddhist art and Chinese artistic traditions, which form an integral part of both Thai and Chinese architectural heritage within the area. Notable examples include the mural paintings inside the ordination hall (ubosot) of Wat Uposatharam, the murals in the vihara of Wat Sangkat Rattana Khiri, the painted murals at the Pun Tao Kong Shrine, and the mural paintings at the Baan Khun Kobkaitkit residence. These artworks not only demonstrate artistic craftsmanship but also convey religious narratives, cultural beliefs, and historical influences that have shaped the identity of Uthai Thani Old Town. Sculpture: Uthai Thani Old Town is home to a variety of valuable sculptural works displayed in temples and shrines throughout the area. These include stucco sculptures in Thai-Chinese styles, which reflect a blend of artistic traditions and cultural influences. Notable examples can be found at Wat Uposatharam and Wat Thammakhosok, where sculptural elements are used as decorative and symbolic features within religious architecture. These sculptures not only enhance the aesthetic quality of the sites but also represent religious beliefs, craftsmanship, and the cultural integration of Thai and Chinese artistic heritage. Examples of Mural Paintings Examples of Sculptural Works in Uthai Thani Old Town

1. Natural Components: The landscape of Uthai Thani Old Town is characterized by diverse natural features. To the west, Sakae Krang Mountain serves as a prominent scenic backdrop and a key visual landmark of the city. To the east lies the Sakae Krang River, which has long functioned as the lifeline of the community, sustaining local livelihoods and ways of life. The river plays a crucial role in agriculture and serves as an important freshwater fishing source for local communities. Key natural elements of Uthai Thani Old Town include the Sakae Krang River, Sakae Krang Mountain, Nong Ta Ngu, Tha Pho Canal, and Ko Thepho Island, among others. Photographic Illustrations of the Natural Features and Landscape of Uthai Thani Old Town These images illustrate the natural components and landscape of Uthai Thani Old Town, highlighting key features such as the Sakae Krang River, Sakae Krang Mountain, and surrounding ecological environments that contribute to the city’s distinctive character and identity

2. Cultural Components: The Uthai Thani Old Town area represents a historically established settlement dating back to the reign of King Rama III (King Nangklao), when it was known as “Ban Sakae Krang.” The area was rich in natural resources and highly suitable for transportation, agriculture, and freshwater fisheries. During the reign of King Rama V (King Chulalongkorn), historical evidence—particularly royal photographs taken in 1897 (B.E. 2440)—depicts the environmental and settlement characteristics of Uthai Thani Old Town. These images show clusters of wooden raft houses along the Sakae Krang River in front of Wat Uposatharam, constructed with natural roofing materials. The settlement pattern clearly illustrates an integrated transportation system connecting both water-based and land-based routes. As a result, Uthai Thani Old Town has historically functioned as a dual settlement system, comprising both water-based communities and land-based communities, a characteristic that continues into the present day. Following a major fire in 1935 (B.E. 2478), most of the wooden row houses were destroyed. Subsequently, urban planning initiatives were implemented, leading to the construction of row buildings (shophouses) to replace the damaged wooden structures. Roads were developed to connect piers and river routes, facilitating the transportation of goods and travel between Uthai Thani and Bangkok. By 1957 (B.E. 2500), the construction of a large dam and watergate significantly impacted the Sakae Krang River. As a result, transportation patterns gradually shifted from water-based systems to predominantly land-based transportation.

1. Thai Architecture: Thai architecture within Uthai Thani Old Town reflects local wisdom and cultural identity, expressed through refined architectural forms and intricate design elements. Each temple in the area possesses distinctive characteristics that represent different periods of Thai architectural styles, adapted in response to the community context and the historical development of the area. Significant examples of traditional Thai architectural forms in Uthai Thani Old Town include the octagonal mondop of Wat Uposatharam and the Uthai Buddhist Assembly Hall (Uthai Phuttha Sapha Hall), both of which exemplify the aesthetic and cultural values embedded in Thai architectural heritage.

2. Chinese Architecture: Chinese architecture within Uthai Thani Old Town represents a fusion of traditional Chinese artistic elements and local architectural practices. This architectural style holds significant cultural and historical value, reflecting the heritage of Chinese communities who migrated and settled in the Uthai Thani area. Buildings and structures that embody Chinese architectural influence are predominantly found in the form of shrines and temples established by the Chinese community. These structures serve not only as religious centers but also as important cultural landmarks that preserve traditions, beliefs, and community identity. Notable examples of Chinese shrines in the area include the Pun Tao Kong City Pillar Shrine, the Guan Yu Shrine, and the Tubtim Goddess Shrine, each of which reflects distinctive architectural features and spiritual significance rooted in Chinese cultural traditions.

3. Wooden Buildings: Wooden buildings within Uthai Thani Old Town consist of both individual wooden houses and clusters of wooden structures commonly known as “wooden row houses.” These buildings represent a distinctive architectural characteristic of the old town. The wooden row houses, in particular, reflect traditional construction techniques, the use of locally available materials, and the adaptation of architectural design to the riverside environment and community way of life. They also illustrate the historical pattern of settlement and commercial activity that has shaped the identity of Uthai Thani Old Town.

4. Half-Timber and Masonry Buildings: Buildings in Uthai Thani Old Town that combine masonry and timber construction exhibit distinctive architectural characteristics. These structures typically feature load-bearing brick walls or reinforced concrete frameworks, integrated with timber structural elements as a significant component of the building system. This hybrid construction reflects a transitional architectural style, illustrating the adaptation of traditional wooden building techniques to more durable modern materials, while still preserving aspects of local identity and craftsmanship.

5. 20th-Century Architectural Buildings in Uthai Thani Old Town were constructed during a period influenced by modern architectural movements from the Western world. This era was marked by significant changes in construction technology and building materials, leading to new architectural forms and design approaches. The modern architectural period, spanning approximately from the 1930s to the 1980s, introduced features such as simplified forms, functional design, and the use of materials like reinforced concrete, reflecting a shift from traditional styles to more contemporary expressions.

6. Floating House Architecture: Floating house architecture in Uthai Thani Old Town is characterized by its simplicity and the use of locally available natural materials. In the past, roofs were typically thatched with nipa palm leaves or covered with corrugated metal sheets, designed with gentle slopes to facilitate rainwater drainage and kept relatively low in height to reduce wind resistance, unlike traditional elevated Thai houses. The structure of floating houses is slightly raised above the water level to accommodate fluctuations in river conditions. Interior spaces are generally organized into functional areas, including sleeping quarters, living spaces, and kitchen areas. At the front of the house, an open deck or platform serves as a transitional space for boarding boats and supports various daily activities such as washing, household chores, and relaxation. These architectural characteristics reflect a way of life closely connected to the river, emphasizing adaptability, practicality, and the efficient use of natural resources.

1. Mural Paintings: Uthai Thani Old Town features a rich collection of religious mural paintings, particularly those associated with Buddhist art and Chinese artistic traditions, which form an integral part of both Thai and Chinese architectural heritage within the area. Notable examples include the mural paintings inside the ordination hall (ubosot) of Wat Uposatharam, the murals in the vihara of Wat Sangkat Rattana Khiri, the painted murals at the Pun Tao Kong Shrine, and the mural paintings at the Baan Khun Kobkaitkit residence. These artworks not only demonstrate artistic craftsmanship but also convey religious narratives, cultural beliefs, and historical influences that have shaped the identity of Uthai Thani Old Town.

2. Sculpture: Uthai Thani Old Town is home to a variety of valuable sculptural works displayed in temples and shrines throughout the area. These include stucco sculptures in Thai-Chinese styles, which reflect a blend of artistic traditions and cultural influences. Notable examples can be found at Wat Uposatharam and Wat Thammakhosok, where sculptural elements are used as decorative and symbolic features within religious architecture. These sculptures not only enhance the aesthetic quality of the sites but also represent religious beliefs, craftsmanship, and the cultural integration of Thai and Chinese artistic heritage.

1. Conservation Management Plan (Conservation Management Plans) Conservation management plans help determine long-term conservation and management guidelines for cultural heritage areas. Uthai Thani Old Town by maintaining the completeness, authenticity and value of Uthai Thani Old Town in order to maintain its meaning to the community. The main principles are: Understanding Value and Importance (Understanding Significance) Analyze and evaluate the cultural value, architectural history, and the significance of the Uthai Thani Old Town community. This understanding forms the foundation for all conservation decisions. Respect for Authenticity (Respecting Authenticity) Maintain the original condition and unique characteristics of the location by minimizing unnecessary alterations. All interventions should preserve the authenticity and integrity of the site. Stakeholder Engagement (Engaging Stakeholders) Ensure that landowners and all relevant stakeholders are actively involved in the decision-making process. Their participation should align with the shared values, needs, and expectations of all parties involved. Minimizing Intervention (Adopting Minimal Intervention) Carry out modifications or repairs only when necessary, ensuring that the original appearance and cultural value are preserved without unnecessary destruction or alteration. Monitoring and Documentation (Tracking and Data Recording) Systematically monitor, record, and store data at every stage of the conservation process. Proper documentation ensures transparency, supports future reference, and enhances long-term management.

2. Value and Importance Statement (Significance) Uthai Thani Old Town is important as a collection of traditional wooden architecture. The way of life of the Pae people along the Sakae Krang River and the unique ecosystem of Tepo Island, which connects the history, culture and environment of the area. These values not only reflect the past, but also create pride in the present generation.

1. Understanding Value and Importance (Understanding Significance) Analyze and evaluate the cultural value, architectural history, and the significance of the Uthai Thani Old Town community. This understanding forms the foundation for all conservation decisions.

2. Respect for Authenticity (Respecting Authenticity) Maintain the original condition and unique characteristics of the location by minimizing unnecessary alterations. All interventions should preserve the authenticity and integrity of the site.

3. Stakeholder Engagement (Engaging Stakeholders) Ensure that landowners and all relevant stakeholders are actively involved in the decision-making process. Their participation should align with the shared values, needs, and expectations of all parties involved.

4. Minimizing Intervention (Adopting Minimal Intervention) Carry out modifications or repairs only when necessary, ensuring that the original appearance and cultural value are preserved without unnecessary destruction or alteration.

5. Monitoring and Documentation (Tracking and Data Recording) Systematically monitor, record, and store data at every stage of the conservation process. Proper documentation ensures transparency, supports future reference, and enhances long-term management.

1. Maintaining the original condition of the building. (Preservation) repair the building using materials and techniques that correspond to its original condition, plan ongoing maintenance; (Conservation Maintenance Plans)

2. Restoration and improvement of the area (Restoration and Adaption) Restoring important buildings or areas such as wooden rowhouses, temples, and ancient markets. Improvement of landscapes and public spaces suitable for current use.

3. Ecosystem Conservation Protect the rubber and bamboo forests on Tepo Island and promote community participation in restoration.

1. General Conservation and Development Guidelines Engagement and Public Relations To encourage people to appreciate the value of the old town, including cultural, economic, educational, and other values, to create pride and a sense of love for the locality. Creating awareness of conservation and sustainable development Encourage learning Love Cherishing, cultural and natural heritage that our ancestors have created. Promotion of local activities and lifestyles Promote activities and lifestyles as an intangible heritage. (Intangible Heritage) These include traditions, food, dress, language, festivals, beliefs, and local wisdom. Promoting quality of life Providing public utilities and transactions. A complete service for residents of the Old Town and tourists of all ages. Protection against human and natural threats Organize or suspend construction activities that will affect ancient sites and cultural heritage sites. Study the risk of natural disasters. Laying out solutions to prevent and preserve cultural arts and resources. Put in place an appropriate and effective early warning system. Energy Saving for Traffic and Environment Promote the development of pedestrian paths, the use of bicycles and alternative vehicles in the Old Town to reduce the use of fuel-consuming and polluting vehicles. Building and Utility Care Encourage continuous maintenance of the exterior condition of the building. By choosing building materials that are most similar to or consistent with the original, or encourage the use of the original building materials as much as possible. An example of a guideline for choosing the right materials for restoration.

2. Guidelines for Conservation and Development of Areas (Zoning) Uthai Thani Old Town is divided into: 2 The sections are: Main Areas It is a commercial area. Landmarks in Old Town include: Wooden row houses, temples, ancient sites Ancient Market Phae community, Alok Rong Ya community, pae stay, accommodation Restaurants Parks The museum has set development guidelines. 5 The following aspects: In terms of land use, reduce the use of land in unnecessary parts of the district. Religious Places Public and private land shall be conserved land mainly to promote the identity of Thai art and culture. Building and Environment Maintain the environment by setting the height. Open Space Ratio, size, appearance, design, shape, etc., of the building to be consistent and harmonious or not destroy the historical sites in the area. Consider the use of materials and colors of the building to create an atmosphere of access to important areas of the Old Town area. In terms of traffic and transportation system, pedestrian paths are encouraged. and light vehicle traffic to reduce pollution such as bicycles, rickshaws, etc. Reduce traffic volume. Heavy trucks and large vehicles are prohibited from entering the area. Landscape Development Create a continuous path between element locations. By providing bicycle paths or light vehicles, safe pedestrian paths with public utilities. Conveniences such as lamps, trash cans, road signs. In terms of administration and management, the province issued a notice on measures to Control the construction of government buildings, state enterprises and other government agencies that may be required in the Old Town area to be built within the Old Town area. Submit the matter and plan to the Subcommittee on Preservation and Development of the Old Town. Through the Office of the Secretary of the Subcommittee on the Preservation and Development of the Old Town. To consider and give an opinion on the environmental impact first. Continuous Area It consists of: Wat Khao Sakae Krang Hospitals, stadiums, accommodation Restaurants Rubber forest and bamboo forest area Establish development guidelines. 4 The following aspects: In terms of land use, reduce the use of land in unnecessary parts of the district. Religious Places Public and private land shall be used for handicrafts, tourism, housing, commerce, government institutions, educational institutions. Religious places, public utilities, public utilities, recreation, environmental quality preservation or public interest only, and the main areas must be promoted. Building and Environment Determine the height and retreat of buildings, including Building mass size to maintain an appropriate proportion of building size that does not destroy art sources in the area and the old town areaConsider the use of materials and colors of buildings to promote the atmosphere in the old town areaConsider the use of old buildings that are still intact or can be restored in activities related to learning and tourism. Traffic and Transportation System Build a parking lot in the right location. It is a turning point for the traffic system to access the main area and other parts of the city to reduce the number of cars that will enter the area to create traffic congestion. including the impact on views and pollution in the old town area. In terms of landscape development, the main route to the old city should create a unique and The destination indicates the arrival of the Old Town, including opening the view (Vista) along the traffic route into the Old Town, planting large trees along the route to the city. Landscape development, creating shade along the road. Sidewalks and create eye-catching destinations by choosing trees that are connected to the history of the old town or are provincial trees, such as the Neem Tree (Azadirachta indica A. Juss. var. siamensis Valeton), which is the tree of Uthai Thani Province, etc. Inappropriate billboards and commercial event signs are a problem for the scenery, and the size and appearance of different types of signs should be limited. Promote a good, unique signage design with recognition.

1. Engagement and Public Relations To encourage people to appreciate the value of the old town, including cultural, economic, educational, and other values, to create pride and a sense of love for the locality.

2. Creating awareness of conservation and sustainable development Encourage learning Love Cherishing, cultural and natural heritage that our ancestors have created.

3. Promotion of local activities and lifestyles Promote activities and lifestyles as an intangible heritage. (Intangible Heritage) These include traditions, food, dress, language, festivals, beliefs, and local wisdom.

4. Promoting quality of life Providing public utilities and transactions. A complete service for residents of the Old Town and tourists of all ages.

5. Protection against human and natural threats Organize or suspend construction activities that will affect ancient sites and cultural heritage sites. Study the risk of natural disasters. Laying out solutions to prevent and preserve cultural arts and resources. Put in place an appropriate and effective early warning system.

6. Energy Saving for Traffic and Environment Promote the development of pedestrian paths, the use of bicycles and alternative vehicles in the Old Town to reduce the use of fuel-consuming and polluting vehicles.

7. Building and Utility Care Encourage continuous maintenance of the exterior condition of the building. By choosing building materials that are most similar to or consistent with the original, or encourage the use of the original building materials as much as possible.

1. Main Areas It is a commercial area. Landmarks in Old Town include: Wooden row houses, temples, ancient sites Ancient Market Phae community, Alok Rong Ya community, pae stay, accommodation Restaurants Parks The museum has set development guidelines. 5 The following aspects: In terms of land use, reduce the use of land in unnecessary parts of the district. Religious Places Public and private land shall be conserved land mainly to promote the identity of Thai art and culture. Building and Environment Maintain the environment by setting the height. Open Space Ratio, size, appearance, design, shape, etc., of the building to be consistent and harmonious or not destroy the historical sites in the area. Consider the use of materials and colors of the building to create an atmosphere of access to important areas of the Old Town area. In terms of traffic and transportation system, pedestrian paths are encouraged. and light vehicle traffic to reduce pollution such as bicycles, rickshaws, etc. Reduce traffic volume. Heavy trucks and large vehicles are prohibited from entering the area. Landscape Development Create a continuous path between element locations. By providing bicycle paths or light vehicles, safe pedestrian paths with public utilities. Conveniences such as lamps, trash cans, road signs. In terms of administration and management, the province issued a notice on measures to Control the construction of government buildings, state enterprises and other government agencies that may be required in the Old Town area to be built within the Old Town area. Submit the matter and plan to the Subcommittee on Preservation and Development of the Old Town. Through the Office of the Secretary of the Subcommittee on the Preservation and Development of the Old Town. To consider and give an opinion on the environmental impact first.

2. Continuous Area It consists of: Wat Khao Sakae Krang Hospitals, stadiums, accommodation Restaurants Rubber forest and bamboo forest area Establish development guidelines. 4 The following aspects: In terms of land use, reduce the use of land in unnecessary parts of the district. Religious Places Public and private land shall be used for handicrafts, tourism, housing, commerce, government institutions, educational institutions. Religious places, public utilities, public utilities, recreation, environmental quality preservation or public interest only, and the main areas must be promoted. Building and Environment Determine the height and retreat of buildings, including Building mass size to maintain an appropriate proportion of building size that does not destroy art sources in the area and the old town areaConsider the use of materials and colors of buildings to promote the atmosphere in the old town areaConsider the use of old buildings that are still intact or can be restored in activities related to learning and tourism. Traffic and Transportation System Build a parking lot in the right location. It is a turning point for the traffic system to access the main area and other parts of the city to reduce the number of cars that will enter the area to create traffic congestion. including the impact on views and pollution in the old town area. In terms of landscape development, the main route to the old city should create a unique and The destination indicates the arrival of the Old Town, including opening the view (Vista) along the traffic route into the Old Town, planting large trees along the route to the city. Landscape development, creating shade along the road. Sidewalks and create eye-catching destinations by choosing trees that are connected to the history of the old town or are provincial trees, such as the Neem Tree (Azadirachta indica A. Juss. var. siamensis Valeton), which is the tree of Uthai Thani Province, etc. Inappropriate billboards and commercial event signs are a problem for the scenery, and the size and appearance of different types of signs should be limited. Promote a good, unique signage design with recognition.

• In terms of land use, reduce the use of land in unnecessary parts of the district. Religious Places Public and private land shall be conserved land mainly to promote the identity of Thai art and culture.

• Building and Environment Maintain the environment by setting the height. Open Space Ratio, size, appearance, design, shape, etc., of the building to be consistent and harmonious or not destroy the historical sites in the area. Consider the use of materials and colors of the building to create an atmosphere of access to important areas of the Old Town area.

• In terms of traffic and transportation system, pedestrian paths are encouraged. and light vehicle traffic to reduce pollution such as bicycles, rickshaws, etc. Reduce traffic volume. Heavy trucks and large vehicles are prohibited from entering the area.

• Landscape Development Create a continuous path between element locations. By providing bicycle paths or light vehicles, safe pedestrian paths with public utilities. Conveniences such as lamps, trash cans, road signs.

• In terms of administration and management, the province issued a notice on measures to Control the construction of government buildings, state enterprises and other government agencies that may be required in the Old Town area to be built within the Old Town area. Submit the matter and plan to the Subcommittee on Preservation and Development of the Old Town. Through the Office of the Secretary of the Subcommittee on the Preservation and Development of the Old Town. To consider and give an opinion on the environmental impact first.

• In terms of land use, reduce the use of land in unnecessary parts of the district. Religious Places Public and private land shall be used for handicrafts, tourism, housing, commerce, government institutions, educational institutions. Religious places, public utilities, public utilities, recreation, environmental quality preservation or public interest only, and the main areas must be promoted.

• Building and Environment Determine the height and retreat of buildings, including Building mass size to maintain an appropriate proportion of building size that does not destroy art sources in the area and the old town areaConsider the use of materials and colors of buildings to promote the atmosphere in the old town areaConsider the use of old buildings that are still intact or can be restored in activities related to learning and tourism.

• Traffic and Transportation System Build a parking lot in the right location. It is a turning point for the traffic system to access the main area and other parts of the city to reduce the number of cars that will enter the area to create traffic congestion. including the impact on views and pollution in the old town area.

• In terms of landscape development, the main route to the old city should create a unique and The destination indicates the arrival of the Old Town, including opening the view (Vista) along the traffic route into the Old Town, planting large trees along the route to the city. Landscape development, creating shade along the road. Sidewalks and create eye-catching destinations by choosing trees that are connected to the history of the old town or are provincial trees, such as the Neem Tree (Azadirachta indica A. Juss. var. siamensis Valeton), which is the tree of Uthai Thani Province, etc. Inappropriate billboards and commercial event signs are a problem for the scenery, and the size and appearance of different types of signs should be limited. Promote a good, unique signage design with recognition.

1. District Landscape Conservation Guidelines It contains: Urban Planning and Physical Regulations Streetscape and Physical Improvement Element Improvements Signage Design and Installation Guidelines

2. Historic Building Conservation Guidelines Includes: Conservation Principles and Identity Indicators (Conservation Principles and Character-Defining Elements) Guidelines for the Restoration of Wooden Row Houses (Conservation Practices for Wooden Shophouses) Guidelines for the restoration of half-timbered buildings (Conservation Practices for Half-Timber/ Half-Concrete Buildings) Concrete Building Restoration Guidelines (Conservation Practices for Concrete Buildings)

3. Managing modern elements and designing new buildings in the traditional context Includes: Managing modern elements on existing buildings combines the functional needs of current buildings with historic buildings, which is necessary in modern times. Approach to the design of rebuilt buildings in the traditional context The key is a design that respects the original context but does not copy (Respectful, Not Imitative Design) Building a traditional school building or looking old (Pastiche) It is inappropriate and distorts historical truth. The new building should be a reflection of the times itself. But it must be designed humbly and in harmony with the environment. The following principles must be taken into account: Proportions and dimensions of buildings (Scale and Massing) Stroke of the opening (Rhythm of Openings) Materials and colors (Materials and Color) The obvious difference between the old building and the new building (Clear Distinction between Old and New Buildings)

• Urban Planning and Physical Regulations

• Streetscape and Physical Improvement Element Improvements

• Signage Design and Installation Guidelines

• Conservation Principles and Identity Indicators (Conservation Principles and Character-Defining Elements)

• Guidelines for the Restoration of Wooden Row Houses (Conservation Practices for Wooden Shophouses)

• Guidelines for the restoration of half-timbered buildings (Conservation Practices for Half-Timber/ Half-Concrete Buildings)

• Concrete Building Restoration Guidelines (Conservation Practices for Concrete Buildings)

• Managing modern elements on existing buildings combines the functional needs of current buildings with historic buildings, which is necessary in modern times.

• Approach to the design of rebuilt buildings in the traditional context The key is a design that respects the original context but does not copy (Respectful, Not Imitative Design) Building a traditional school building or looking old (Pastiche) It is inappropriate and distorts historical truth. The new building should be a reflection of the times itself. But it must be designed humbly and in harmony with the environment. The following principles must be taken into account: Proportions and dimensions of buildings (Scale and Massing) Stroke of the opening (Rhythm of Openings) Materials and colors (Materials and Color) The obvious difference between the old building and the new building (Clear Distinction between Old and New Buildings)

• Proportions and dimensions of buildings (Scale and Massing)

• Stroke of the opening (Rhythm of Openings)

• Materials and colors (Materials and Color)

• The obvious difference between the old building and the new building (Clear Distinction between Old and New Buildings)

1. Guidelines for the conservation of houseboat communities Preparation of systematic registration and survey of the condition of houseboats to determine a group of houseboats that are of special value for conservation by classifying them according to the main roof patterns found in the Uthai Thani province area, namely single-gable houses. Twin gable houseboats and three-gable houseboats.

2. Creation of a digital database The creation of a database is a digital storage of information of all boathouses on the Sakae Krang River, including history, age, architectural style, materials used, uses, etc. The owner of the houseboat and the repair records to be used as basic information for long-term conservation planning.

3. Annual Physical Condition Assessment Annual assessment of the physical condition of the houseboat to alert the owner or occupier of the houseboat to the point of urgent repair and for preventive maintenance planning (Preventive Maintenance)

4. Aquatic Environment Management This approach requires cooperation from all relevant sectors and must encourage communities, which are direct stakeholders, to play a leading role in river maintenance, such as proper management of the water volume of the Sakae Krang River. Improving water quality and waste management, restoring ecosystems. Utilization of local wisdom, impact assessment and infrastructure design that is in line with the ecosystem, etc.

5. Basic principles of designing and renovating houseboats Respect traditional identity and values, and pay attention to traditional forms, proportions, materials, and craftsmanship techniques that reflect the wisdom of living with water. Better to repair than to replace (Repair over Replace) Try to preserve as many original elements of the houseboat as possible. If it is necessary to replace it, use materials and styles that are close to the original. Harmonious but distinguishable (Distinguishable but Harmonious) If there is an addition or construction of a new part, the design should be contemporary with quality but still in harmony with the original and be able to distinguish that it is a new part, not a copy of the old. Promote traditional lifestyles The design should be conducive to the traditional lifestyle and occupation of the raft people, such as raising fish in cages. Floating planting Water Traffic Community Engagement In the process of setting guidelines or considering improvement/construction, rafters should be involved in setting the direction so that mutual understanding and acceptance can be achieved.

1. Respect traditional identity and values, and pay attention to traditional forms, proportions, materials, and craftsmanship techniques that reflect the wisdom of living with water.

2. Better to repair than to replace (Repair over Replace) Try to preserve as many original elements of the houseboat as possible. If it is necessary to replace it, use materials and styles that are close to the original.

3. Harmonious but distinguishable (Distinguishable but Harmonious) If there is an addition or construction of a new part, the design should be contemporary with quality but still in harmony with the original and be able to distinguish that it is a new part, not a copy of the old.

4. Promote traditional lifestyles The design should be conducive to the traditional lifestyle and occupation of the raft people, such as raising fish in cages. Floating planting Water Traffic

5. Community Engagement In the process of setting guidelines or considering improvement/construction, rafters should be involved in setting the direction so that mutual understanding and acceptance can be achieved.

1. Guidelines for Agro-Ecological Landscapes on Tepo Island It contains: Promotion of sustainable agricultural landscapes Integrated Forest Resource Management

2. Guidelines for Sacred Landscapes and Scenery on Sakae Krang Hill It contains: Protection of spiritual and historical values Scenery and Environment Control

3. Guidelines for Cultural Landscapes in the Temple Area It contains: Principles of Restoration of Temple Landscape Pilot Project for Temple Landscape Restoration

• Promotion of sustainable agricultural landscapes

• Integrated Forest Resource Management

• Protection of spiritual and historical values

• Scenery and Environment Control

• Principles of Restoration of Temple Landscape

• Pilot Project for Temple Landscape Restoration